Publisher: 3D Press , This specific ISBN edition is currently not available. View all copies of this ISBN edition:. Synopsis About this title Now in full color, this visually stunning and completely updated edition is a snapshot of the rock art traditions of Southern Wyoming, New Mexico, Utah, Colorado, and Arizona.
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Customers who bought this item also bought. Stock Image. Published by 3D Press Woodbury provides a general introduction and summary of Zuni prehistory and history to The present town of Zuni is located just west of the continental divide in western New Mexico on the banks of the Zuni River , a tributary of the Little Colorado River.
Coronado captured the historic village of Hawikuh occupied A. The Pueblo Revolt of finally destroyed the mission for good and all Spanish mission efforts had ended by The Zunis aggregated to a single town, Zuni, in Archaeologist, Frank H. University Microfilms International, Ann Arbor. This dissertation is the foremost scholarly research concerning rock-art found in the Zuni region of New Mexico. Young uses contemporary Zuni interpretation and the ethnographic record to develop an authoritative look at rock-art from a Zuni perspective.
Specifically, Young is interested in contemporary Zuni interpretations of rock-art. Her findings suggest a great diversity of interpretations for rock-art by contemporary Zuni people. Zuni informants often identified rock-art images with images that appear in other media like pottery and fetishes. The introductory chapter provides a brief introduction to Zuni rock-art and how the Zuni perceptions and interpretations about rock-art reveal their cosmology and worldview.
Chapter one provides an ethnographic perspective on the Zuni People. Zuni perspectives are addressed from the environment and landscape to their current socio-cultural setting. Along the way Young provides a brief background on Zuni archaeological data and historic contacts with the Spanish, Mexicans, and the U. Chapter two serves to give the reader a background on rock-art found in the Zuni region. Techniques and terminology, image size and placement, and description and chronology are discussed. Excellent photographs and drawings accompany the text throughout this chapter.
Young concludes the chapter with a section on the contemporary Zuni perceptions of rock-art. This part of the chapter is in large part the card experiment that Young conducted during her dissertation research. The basis of the experiment was to show a diverse group of Zuni people sets of cards that contained rock-art images and then document their responses to the images. Chapter three focuses on Zuni Cosmology and Cultural Symbolism. The Zuni perception of direction, verbal art, and perceptions of space and time comprise this chapter. Chapter four discusses Zuni cultural images found in contemporary forms of art that include wall murals, ceramics, and fetishes.
Archaeologist talks about birds, petroglyphs
The chapter addresses the cultural symbolism found in Zuni myth and how it may be represented in the rock-art of the area. Chapter five explores why rock-art is produced and the function of particular rock-art at Zuni in the present or recent past. Contemporary Zuni perceptions of rock-art focus on the power of images because of their ability to evoke myth or their association with a particular aspect of the physical world.
Zuni people often view prehistoric rock-art as messages from their ancestors. Chapter six focuses on contemporary rock-art and interpretations. Often contemporary rock-art includes masks and figures that represent katchinas, which indicates that some rock-art has religious significance. Thus, Zunis do not regard all pictographs and petroglyphs surrounding the pueblo as powerful: they classify some as destructive graffiti, others as non-Zuni, and still others as beautiful but not necessarily efficacious Young Chapter seven concludes the book with a brief overview of the material presented in the six previous chapters and a few concluding thoughts.
Barnes, pp. Wasatch Publishers, Salt Lake City. Zuni rock-art scholar, M. Jane Young, establishes links between Chaco Canyon and the Village of the Great Kivas located near present-day Zuni through similarities that exist in architecture and rock-art. Most of the figures of this time period are solidly pecked and grouped in panels. Human stick figures with slightly rectangular bodies and small heads are characteristic.
Legacy On Stone Rock Art Of the Colorado Plateau and Four Corners Region
Some are depicted with their arms held up or down, others with arms and legs bent in an attitude of motion. I and II. Chisolm, Brian, and R. Kiva 60 2 — Crotty, Helen K. University Microfilms International, Ann Arbor. Cole, Sally J. Additional information on Basketmaker mask or face representations in rock art of Southeastern Utah.
Southwestern Lore 51 1 — Iconography and symbolism in Basketmaker rock art. Day, Paul D. Friedman, and Marcia J. Tate eds. Boulder: Johnson Books. Basketmaker rock art at the Green Mask site, southeastern Utah. Atkins ed. Eliade, Mircea. Shamanism: Archaic Techniques of Ecstasy. Princeton: Princeton University Press. Faris, James C. Fewkes, J. Frisbie, Charlotte J. Albuquerque: University of New Mexico Press. Furst, Jill Leslie. Graulich, Michel. Arqueologia Mexicana 11 63 — Mexico, D. Guernsey, Samuel V. Cambridge: Harvard University. Haas, Jonathan. Warfare and the evolution of tribal polities in the prehistoric Southwest.
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Cambridge: Cambridge University Press. Haas, Jonathan, and Winifred Creamer. The role of warfare in the Pueblo III period.
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Adler ed. Tucson: The University of Arizona Press. Warfare among the Pueblos: myth, history, and ethnography.
Ethnohistory 44 2 — CrossRef Google Scholar. Habicht-Mauche, Judith Ann. Haile, Berard. Head and Face Masks in Navaho Ceremonialism. Michaels, AZ: The St. Michaels Press. Hammond, George P. Narratives of the Coronado Expedition, — The Rediscovery of New Mexico, — Coronado Cuarto Centennial Publications, No. Hendricks, Rick, and John P.
Wilson, eds. Heyden, Doris. Gossen ed. Studies on Culture and Society, Vol. Hibben, Frank C. Kiva Art of the Anasazi. Las Vegas: KC Publications. Hieb, Louis A. In Kachinas in the Pueblo World , P.